Flickers of white light crackle all around her body. Then sunshine warms her face. The landscape before her reveals green meadows, and some distance away, are white cliffs carved along the shoreline. A bird soars above the water, hunting.
A porch light switches on revealing a woman with blonde hair. When she turns around, Monica knows her name. Twenty-one year old Gretchen brightly smiles at her with beer-laced breath. Peter wobbles to his red 1969 Ford Mustang and reaches for his door handle. Once the door is open, he throws himself into the driver’s seat.
I want to say something. It doesn’t feel right. Maybe they should stay? Or maybe Gretchen should just stay? But who I am to argue? They’re both adults.
The Mustang screams to life with a thundering noise, and then the King’s, “Jailhouse Rock” engulfs the air. Headlights shine light on the trees, but they are merely shadows of what I can see in daylight. The tree shadows remind me of a graveyard scene. I don’t know why.
Gretchen bounces into the passenger seat. She rolls her window down, and I notice she’s re-applied her red lipstick for Peter. Joyful and giddy, from the booze and her man, she beams at me. After years of trying to catch Peter’s eye, she’s finally leaving with him!
Why should I say anything? She’s an adult, capable of making her own decisions. Besides, I tried to talk to her, and she said Peter was fine.
I watch the car backup, go forward, and then it races into the darkness. Red tail lights flicker at me. They seem to be saying with each pulse of red glow: you need to stop, STOP, STOP THEM – NOW!!
Gretchen’s ivory hand is out the window flapping from the car. A back hand wave, she signals to me, a final farewell.